Whatever the form, examples of  Wedgwood's "Trophies" pattern always exhibit a dense encrustation of intricate relief work that, while opulent, remains elegantly playful.

Around the "Bute" shape cup and the border of the saucer, a garland--densely laden with fruit--hangs in swags from be-ribboned ram's head terminals. The swags cradle tiny trophy groups alternating with delicate oval medallions. Flying ribbons frame these motifs from above. Decorative borders--waves and stylized flowers--define the top and bottom of the cup frieze and the lower edge of the saucer border.

The delicate combination of light blue and white enhances the elegant rococo impression.

Robin Reilly in Wedgwood: The New Illustrated Dictionary  (pg.431) explains that trophy motifs originated in the display of arms confiscated from an enemy defeated in battle. With time trophies took on a more pacific and ornamental character, and arms were replaced by any group of objects thematically or symbolically related--musical instruments, artist's tools, agricultural implements, etc.

Wedgwood's extravagant pattern certainly demonstrates the turn away from the battlefield toward the elegance of the lady's parlor.