An edging of intricate floral and fretwork design creates six arches for alternating studies of nosegays and European scenery. In the center, an oriental and westerner conduct "commerce" in an imaginary quayside setting of multiple architectural elements.

Phillips and J&G Alcock produced "Commerce" patterns differing in border and detail. Phillips' "Free Trade" notation possibly refers to the 1830's Corn Laws. It reminds us of the political awareness shared by the manufacturing and working classes.